“We are the revolution.”
-Blitz Union, “Revolution”
Metal is a fascinating genre; it’s creative, broad, progressive, explorative and always searching for respect outside of its devoted enthusiasts. From Metallica’s pairing with the San Francisco Orchestra to Trans-Siberian Orchestra’s innovative Christmas classics to The Sound of Metal earning six Academy Award nominations and taking home two golden Oscars this year, metal music is a lasting, at times misunderstood form of entertainment. Blitz Union is adding to the genre’s advancement.
Though research is more affiliated with academia, exploration can be used in a variety of fields and independently. For artists attempting to shift the industry and offer something visionary, they must have experience in knowledge in performance and theory.
Blitz Union is from Prague, and there aren’t many international cities more in tune to the structure of composition. Of course, locals and visitors alike have a deep passion for classical music, but this is something that has been consciously and subconsciously ingrained in the minds of Blitz Union’s members. Strangely enough, that wasn’t what brought the band together at first.
Lead vocalist Mark Blitz said, “It was not music at all that put us together. Our ways crossed because of our common research/obsession. And this research was later on the main impulse to found Blitz Union.”
Commonality leads to camaraderie in a band, and the musicians in Blitz Union are definitely on the same sheet.
Stylistically, the band describes themselves as EDM-Rock, and it’s a fitting description. Their sound can be traced back to the golden era of nu- and industrial-metal in the late-‘90s and early-2000s. Many of those acts successful fused different musical elements to remain relevant for decades. Two artists that stand out, and perhaps blend together to form Blitz Union’s style, are Linkin Park and Rammstein—and on a lesser scale, Orgy and Ultraspank. I say, how promiscuous.
Blitz explained, “Our sound consists of heavy riffs, energy-driven rock elements and catchy EDM hooks. This fusion became very natural for us as we enjoy the freedom during the creation process. There are so many options how you can approach a song by combining those two styles. It’s fun.”
One thing that should be noted, which always has to be said to combat assumptions in rock and metal, is that the men in Blitz Union are incredibly musical. Shodushi and Schtorm have mastered the guitar and bass, respectively, and Governor pulses infections beats on the drums. Then they all contribute to the act’s style.
Electronic elements sometimes get a bad rap because they come from a “box” but an artist also has to have a good understanding of rhythm to produce quality content. The mastery of an instrument comes in a variety of ways as well. For example, Christian Lorenz of Rammstein is a terrific keyboardist and composer, but you can tell he’s a piano player at heart. Classical dynamics just fit well in rock and metal, and Blitz Union captures that same essence in the EDM portion of their sound. Plus, the lyrics aren’t half-bad either.
Another thing that makes Blitz Union a tad different from their influential comparisons is vocal tone. Though they were inspired by the techniques of Korn, Mudvayne and Slipknot, for example, Blitz’s range behind the microphone helps the listener understand the lyrics, and their message is a strong part of their plight.
“Inspiration for our songs comes to me in waves, which I carefully listen to,” Blitz shared. “Then I try to put it into words. Everything that happens afterwards is somewhat of a mysterious process for us, but we as the band have developed a certain technique to approach it.”
With a moving message, Blitz’s lyrics challenge the direction humanity is heading and focuses on the affairs that haunt society today. They expose the wicked layers of society, but at the same time offer hope and inspiration to bring us back to the surface. They have a voice.
In 2019, Blitz Union released their EP Revolution. The title track starts off the record, and it is perfect in a variety of ways. You can’t open a rock or metal album better than the distorted rhythm of “Revolution” which was introduced by a great electronic tone. The mix built, and though short, it provided enough of an intro to not only the song but the capabilities of the band. The track has Disturbed and Rammstein written all over it, and besides Blitz’s immediate display of vocal versatility from verse to chorus, this is an anthem song. Blitz Union gives you everything they’re about right off the start.
“Cyberbully” then introduces the band’s message. The pain and struggle of abuse, which is customary in rock and metal, is covered but in a more focused way to modern society. The music in “Everybody Else” is pristine and structured brilliantly. However, if I had a criticism, it’s the strange monotone backing vocals that are apparent on this track and others moving forward. Vocals also need to mesh, and there just seems to be a lack of balance without a buffer. If, and this is just a suggestion based on personal preferences, the support vocals were more hissing and sinister, it may perfect that element of their sound. Something like Rob Zombie’s timbre in the verses for “Superbeast.”
“Broken” is a great song, and this is where Blitz Union truly beings to impress. They subtly add another sub-category of metal into their repertoire, especially vocally. This track contains those dark harder emo elements. Finally, the short EP ends with another anthem-type song to remind listeners of what they experienced and what is to come, not to mention “Deleted” is a mindset rock audiences have shared, but that simple title makes it so modern. The sound and cadence is very 2000’s nu-metal, but the ideology twists the past to fit with the future.
Of course, those two bands are not in Blitz Union’s genre. However, “Tv” has those Bravery tones mixed into the verse, both musically and vocally. They keep their sound with more great distorted rhythm, and somehow add a punky catchy chorus.
Then the listener is brought back decades and into yet another genre. “Money Crazy World” has a very new wave, synth-pop, Depeche Mode feel. That continues with “Human Robot” except the chorus falls a tad short, but somehow remains fitting for the song. I could picture someone doing the robot to that brief chorus.
“Plastic” returns the listener to what Blitz Union is about from their message to their style, and their ability to transition different musical elements is on full display, especially from a synth standpoint. Then “Not Proud” almost continues and combats “Human Robot” because it discusses how someone can distance themselves from society, but admitting the similarities at the same time. Admitting, but not quite yet accepting (in the character’s mind), we’re all human beings.
The piano rendition of “Tv” finishes the EP and this exemplifies what I was talking about with musical talent. If outside listeners don’t think rock and metal bands have roots in classical training, just listen to this track. This is also where the Jukebox the Ghost comparison comes in. They did an entire bonus album of their self-titled 2015 release with just piano renditions of each track and it was fantastic. It wasn’t a surprise when they did it, however, but Blitz Union offers something different with their change of pace.
Blitz Union is visionary. It’s difficult to blend the amount of styles they do, because it’s not just about EDM and rock, but if done subtly, and if the artists possess a true understanding of composition, it can be masterful.
“I am happy about the music which I make and how our Union is doing,” Blitz stated.
This band has the ability to be an international headliner, and they’re have every intention to stay relevant for a long time. The look to unionize a revolution.