The Venus Fly Trap Never Stops

“In the future everyone will be famous for 15 minutes (Andy Warhol).”
-The Venus Fly Trap, “Icon”

The Venus Fly Trap has been around for decades. The British alternative rockers have an extensive catalog that has spanned generational shifts in music. In an era where it’s harder to maintain consistent relevance, the band is grasping on to the resurgence of their prime.

“For those who are least able to function in the world, give it the greatest gifts.”

The Venus Fly Trap has seen many contributors to their sound through the years. Originally formed in 1986 in Northhampton, England, just a shade fewer than 20 musicians have helped produce the post-punk electronica rhythm that has helped the band sustain a name in the industry.

Career musicians never stop creating and perfecting their craft. Lead singer Alex Novak not only formed The Venus Fly Trap, he also provided vocals for such past acts as Religious Overdose, Attrition and The Tempest.

Novak shared, “I’ve been watching live music since I was about 15. What got me involved in music in the first place was the punk, new wave explosion and it changed my perception of being able to be in a band.”

It’s an obsession of sort, and when artists become engrossed in the scene at a young age, it’s easier for them to set their goals and find their sound—and find other ways to stay in the industry. Not only does Novak play, he runs a record shop. Now during England’s third lockdown, he has used the time to save his business and perfect his craft.

“If you speak too much will you run out of words?”

The Venus Fly Trap, currently consisting of Novak and Andy Denton, has been described as “bladerunner rock ‘n’ roll with dark acidic shades” but Novak brings a more artistic feel to the music. He treats it as a movie almost.

“We create dark sonic cinema for the mind, film noir, sci-fi soundscapes,” he explained.

The band’s influences are acts well-deserved of following and flattery. The Venus Fly Trap attempts to blend inspirations from Chemical Brothers, Joy Division and the Doors. In fact, Novak’s vocals have been compared to Jim Morrison’s signature mysterious monotone. Yet, no artist wants to sound exactly like an earlier band or they will be labeled a copier or trend-chaser. It’s important for an act to strive for uniqueness, and that can come from taking specific elements of influence and then arranging an original sound. With that being said, it’s difficult to categorize The Venus Fly Trap.

Imagination is the essence of The Venus Fly Trap’s style and sound. Their music isn’t just something to listen to, they strive for it to be an experience. It’s almost as if they write for movies, attempting to capture a visual to help the listener better understand their tracks. This especially makes touring memorable.

“The legacy of guilt and pain, cry no never again, I wasn’t there but I know, this is what we can do today.”

The stage was dark and smoky and the audience was being provided with an unknown aura that ended up enchanting them through the evening. The electronics pounded, the colors mesmerized, and Novak sang as a woman, slim with tiny cloth barely covering only the most precious areas of her figure, danced next to him. A large python slithered around her body as she not only charmed the reptile but the audience as well.

The Venus Fly Trap attempts to make their live show into an event rather than just a recital. Yet, it’s the after party that allows the band to understand their impact.

Novak said, “It’s always interesting speaking to people after the show, it’s a two-way conversation, you’re finding out about what people are thinking. We have a lot of memorable shows, probably done hundreds of gigs, so it’s good to keep track otherwise you forget where you have played.”

Of course, touring has been limited the past year and gaining support is vital not only for the artists, but audiences as well.

“Let’s hope we can do that again soon. It’s good to see all sorts of live music; it all goes into the brain to widen your influences and see what works and what doesn’t. You’re always learning.”

For Novak, creation and imagination must remain.   

“It never ends.”

The Venus Fly Trap’s debut, Mars, landed in 1987. It had new wave undertones, but darker, less poppy than the mainstream acts who defined the ‘80s. It was deeper, as if it was always raining while the music played. Most notably the singles “Morphine.” Their psychedelic sound continued in 1989 with Totem. A little more post-punk began to surface, especially when it came to the drum and bass rhythms, but their original style didn’t falter in the least.

In 1991, the band’s Gothic roots were added to the dark wave, psychedelic post-punk sound. The consistency throughout, however, is the use of electronica to mesh everything together, keeping the band’s identity always intact. Pandora’s Box may be the band’s best ablum, and not only is their style most on display, but as is their true ability to create infectious cadence. “World Turned Upside Down” is a great song and “Monument To The Sublime” is a fantastic instrumental. Lastly, their versatility is proven with the pure piano arrangement of “Shedding Another Skin.” There is a Duran Duran resemblance throughout, but, again, they kept it their own.

Luna Tide added yet another element of the times. Launched in 1994, that standard ‘90’s rock distortion was apparent, especially on tracks like “My Ships Coming In” and “Jupiter Collision.” Yet, the album as a whole sounded too similar from song to song, but tracks “Urban Sprawl (Part One)” and “Heretic” either slowed the pace or offered some dark acoustics for balance.

The Venus Fly Trap revamped and almost reached back for their 1996 album Dark Amour. The track “Lifeforce” captures the essence of the band, but the album also displays their range of creativity, even using the sounds of different cultures as exemplified on the primarily instrumental track “Decaying Orbit Part 1 & 2.”

The next 22 years, Venus Fly Trap provided listeners with limited editions, compilations, documentaries, and the albums Zenith (2004), Nemesis (2011) and Icon (2018). They were epic and operatic, charming and dark, and the lasting impression that they made in the music world proved their love for music and creating.

As uncertainty looms at the moment for society, The Venus Fly Trap hopes to continue their passion. Nothing has to end.

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