“All the minds are falling into an empty space.”
-Freedivers, “The End Of The World”
A trend in rock music is taking place, and it’s welcomed. As noted with Alien Feelings and Tarah Who?, there has been a surge in ‘90’s grunge influence. Freedivers continues that rush of nostalgia, but falls even deeper into the past.
Spain is a country known for his incredible rhythm and masterful guitar. One of my favorite composers is Isaac Albéniz, and though mostly known as a pianist, his pieces have been transposed beautifully to the classical guitar. The moment I heard “Asturias (Leyenda)” I knew I had to learn it. I did my best piano rendition, but is mostly performed on an acoustic six-string now.
Over a century since Suite Española’s release, there has been plenty of instrumental innovation and progressive composition. Though many older classical listeners may not consider the grunge movement of the ‘90s worthy of recognition, many artists embrace the overall importance of that rock era.
Rafa d Villegas, bassist of Freedivers, explained, “We are influenced by the sound of Seattle of the ‘90s, it is undeniable. We have grown up listening to bands like Nirvana, Stone Temple Pilots and Pearl Jam.”
Yet, bands don’t just stick to one genre or era for inspiration. They incorporate different styles and branch well into the past to craft a song. For example, Iron Maiden samples “Astrurias (Leyenda)” in their track “Mother Russia.”
Freedivers is no different. From Barcelona, the trio of Villegas, Sergi and Xavi Blanch display classical training in their abilities and song structure.
During 2019, Villegas was beginning to find his sound. He had developed some decent riffs and solid lyrics, but was in search for talent to finish and produce the songs. Brothers Sergi (guitar and vocals) and Xavi (drums) then joined him, and Freedivers was formed. The three Spaniards then added their personal touches and created with equal collaboration.
“It’s been said that our music is indie/rock,” Villegas said. “We talk about personal stories; we believe that they are the same stories as anyone else and that connects us with people.”
Relation is key, especially when writing for a rock audience. Writing, however, is all they can do at the moment.
It has officially been over a year since the world entered a global pandemic. As is the case with most acts, the lack of touring can hinder an artist’s progression. Exposure is key during a time like this, especially with things seemingly on the swing upward to being social once more. Real social, not social networking. Ironically, to sustain the possibility of future social gatherings such as concerts, bands must rely on online promotion.
“The pandemic situation made down most of our plans,” Villegas shared. “Any tour or concert was canceled. That is why we have tried to promote the sale of records and merchandising. These are hard times.”
The band is currently writing and recording and making the best use of their time. Freedivers is looking forward to getting back on stage and making a connection with their audience. It’s not about the size of the crowd, it’s about the magical environment created by musician and listener. The band is capable of providing such as aura with their sound, and live music always heightens the senses.
Freedivers released their debut EP, Upside Down, on Feb. 6. The track listing is a gathering of pre-released singles they have shared since 2019.
Perhaps “The End Of The World” isn’t the most tasteful title for an opening track, but that’s just the times, and no one with a practical mind should take issue to it. The song provides a feel for Freedivers’ sound, and listeners can surely catch the ‘90’s rock influence through the distorted riffs and even Sergi’s vocals. It creates a standard for what is to come, and that’s part of a solid opening track’s responsibility.
The beginning of “Under Arrest” is dangerously close to “Have You Ever Seen Rain?” by Creedence Clearwater Revival. Not like there’s anything wrong with that; they are certainly a band other rock artists should like being mentioned with. The song structure flows well, and the chorus has an easy sing-a-long start, but also shows how the trio can harmonize their vocals. That is difficult to find right now in rock.
“Isolation” again showcases the band’s influences. The sound and vocal cadence is very ‘90s. The monotone drawl of grunge is apparent on this track, the guitar style is similar to Filter or Oasis, and it captures the essence of the era. Again, as I have pointed out before, it’s a good era of rock to incorporate while creating new music.
Freedivers slow down the tempo with “Walking Upside Down” which balances out the EP. It’s a beautiful melody with a deeper, poetic message. Every album needs a ballad such as this because it’s important to the overall flow. It also displays range and versatility in a genre where bands are sometimes labeled as having the same sound throughout. The old, “each track sounded like one big song” complaint. You can say that about a lot of popular artists and genres these days, however.
“Freerider” is the hit of the extended play. The track has a jam-band feel that was once perfected by Counting Crows or Sister Hazel in the ‘90s, but the rhythm definitely has roots that can be traced back to the ‘70s even. The small solo is fantastic and completes the song, and it’s a tune that can get stuck in your head. Upside Down is a complete EP.
The Spanish trio has a great sound and it comes from a variety of inspiration and overall understanding of music. They have captured a time and are re-releasing the experience through their uniqueness as an artist. Another win for the future of rock music.